Recently heard: The King Is Dead

[viktor_haag]

I had probably only casually heard of The Decemberists. And then a friend of mine who is a music nut (he's even in a band, which to me seems a bit of a novelty and rather special) pointed out that he was a Decemberists fan and insisted that I listen to their newest album on NPR's First Listen.

Woah. I don't know about their entire catalog, but "The King Is Dead" in particular aligns strongly with what I'm liking to listen to right now. It's nigh perfect. Shortish, very smartly crafted roots-folk-guitar-pop with tight harmonies and obliquely spiritual lyrical vibe. One might almost call it American Myth Pop. It evokes the best of REM's heady middle years, but with perhaps a bit more musicality and less edge. And it certainly helps that Gillian Welch provides harmony vocals on many of the tracks: carefully constructed to draw me in.

You might not like it, but I think it's definitely worth a listen to see if you will.

Comments

[viktor-haag.livejournal.com]

AFAIK, I wouldn't call the sea-folk-pop tradition in Canada so much "nationalistic" as "regionalistic", and in some cases rather "anti-nationalistic" (the part that gets co-opted or interpreted as agit-prop against Federalism, esp, presumably, in Quebec and Newfoundland). But when I think sea-folk-pop I have to admit I think a lot more "Canada!" than I do "USA!" -- that could, of course, be because I'm Canadian and so have more natural exposure to the roots of our folk-musical history than the roots of USAmerican folk-musical history: I have to depend upon osmosis more than active awareness because I'm not really a folkie, much.